Saturday, October 28, 2017
Chrissie Amphlett was the lead singer and, with Mark McEntee, the driving force behind Divinyls, the Australian band behind many new wave classics including Boys In Town, Pleasure and Pain, and I Touch Myself. They stopped recording in 1997 and, I recently found out, Chrissie took on the iconic role of Judy Garland in the 1998 Australian production of The Boy From Oz. I found this tender and loving performance of Peter Allen's All I Wanted Was The Dream from the cast recording of The Boy From Oz.
As the song played I was reading that Chrissie had passed away from breast cancer in 2013. I hadn't heard this. We were both born in 1959.
So I bookend the subtlety of this moving performance with the pure rock and roll of the first Divinyls I heard. Thanks for Siren Song and all the rest, Chrissie. Peace out.
Wednesday, March 22, 2017
With all the Hello, Dolly-baloo last week, another small yet pivotal performance (in the annals of musical theatre history) took place on Monday March 13, 2017: the first performance in 44 years of Paul Jabara's self-proclaimed disco musical Rachael Lily Rosenbloom ... And Don't You Ever Forget It.
Written almost entirely by Jabara (with book help from Tom Eyen), Rachael... never made it to Broadway despite seven previews at the Broadhurst Theatre. Since the musical Carrie has been revamped and is now produced often, Rachael... captures the crown as the most notorious flop in Broadway history. Unfortunately, even with the tweaks afforded the show for this concert staging, one can see why. The book is a pastiche of musical theatre references and campy laughs that don't really gel as a compelling story. And the characterization of Rachael makes no sense within the context of, for example, the title - Rachael changes her name to Raquel halfway through the show. In other words, we've forgotten it.
The songs are fun but then Paul Jabara writes fun songs. Remember It's Raining Men, The Main Event, No More Tears (Enough Is Enough) and his Oscar-winning Last Dance? The latter was appended to this concert as a finale but none of Rachael...'s score is as memorable as the aforementioned pop hits although Dear Miss Streisand and Broadway Rhythm immediately come to mind as standouts. (Jabara did record a revision of the musical's Ocho Rios on his 1986 album De La Noche: The True Story (A Poperetta).)
Interestingly, on my very rare audience recording (puff, puff) of one of the 1973 previews (starring Ellen Greene and Anita Morris), the audience is quite receptive to the performance - as was the audience last week at Feinstein’s/54 Below. In my opinion, it had more to do with the performers and audience than the material being performed. Bonnie Milligan (as Rachael), Julia Mattison (as Stella Starfuckoff, the role originated by Morris) and Anastasia McClesky had the showiest roles but all the performers and the band made the hour and 15 minute concert quite enjoyable. My conclusion though is Rachael... will now be forgotten for another 44 years.
Sunday, March 19, 2017
Saturday, February 18, 2017
I just uploaded to archive.org the complete English text, in PDF, of four plays by German playwright Frank Wedekind!
Spring Awakening is known today as the basis of the musical Spring Awakening with book and lyrics by Steven Sater and music by Duncan Sheik. The musical opened on Broadway in 2006 and played for a little over two years. This original production won several Tony awards including Best Musical, Best Book of a Musical and Best Original Score. It has been revived a number of times since then - most recently on Broadway in 2015.
Earth Spirit and Pandora's Box, the first two in The Lulu Plays trilogy, are the basis of the 1929 silent film Pandora's Box starring Louise Brooks and directed by G.W. Pabst.
Samuel A. Eliot, Jr. wrote the introduction to the collection in 1923, presumably the year it was published in the United Kingdom under the title Tragedies Of Sex. What a find!
- Spring Awakening
- The Lulu Plays is comprised of:
- Earth Spirit
- Pandora's Box
- Death and the Devil